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Giotto's art was extremely innovative, and is commonly considered as a precursor of that evolution which was to lead, shortly after, to the explosion of the Italian Rinascimento. He stands as the key link between the Byzantine art of the late middle ages, and the more realistic and humanistic art which flowered in the Renaissance. The flat, symbolic figures grouped in decorative space gave way to the modelled, individualized figures interacting in perspectival space. He managed to adopt the visual language of the sculptors — by lending his figures volume and weight. Comparing his Madonna to that of his teacher Cimabue shows why his contemporaries considered Giotto's paintings miracles of naturalism.