The faun evoked in Debussy's famous composition is a creature who is half man and half goat. It's a character of the Debussy's composition who experienced the fame during his period.
First off, it appears that the 1920s response against Debussy's work was more of a fashion trend than a short-lived reaction to his music. A fresh perspective on the virtues of precision and imprecision in creative representation is also required when evaluating Debussy's style in light of our understanding of some of the underlying causes of the major revolutionary events at the end of the nineteenth century. Imprecision is not always bad, and precision is not always right. Their union was necessary for the Debussyian aesthetic.
The theory of harmony, which is based on the interaction of relative levels of consonance and dissonance, as well as the musical forms in which this interaction was expanded into a musical discourse, an abstract musical argument built on dissonant tensions prepared and resolved, were inseparable from the conception of tonality.
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