In at least two hundred words, explain how the musician from "Arrangement in Black and White" relates to the African
American artist described in "The Negro Artist and the Racial Mountain."

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Answer:

In "The Negro Artist and the Racial Mountain," Hughes talks about the importance of identity and race in art. He argues that a true artist cannot be one in a way that is separate from his own identity. This is particularly true in the United States, where your racial background determines every aspect of who you are, what opportunities you have access to, and how people treat you.

This is illustrated in "Arrangement in Black and White." In this story, we see an African American artist who is admired by a white woman. The woman considers herself to be liberal and accepting of others. However, she is unable to look past her own racism and bias, despite her claim of being modern and understanding. This supports Hughes idea of the artist being unable to be an artist independently from his racial identity.

Explanation:

African American artist described in "The Negro Artist and the Racial Mountain."

What is 'arrangement in black and white'?

Arrangement in Black and White is a short, humorous, and clever short story in which a wealthy white woman tries to convince a party boss that she is not racist and is more than willing to meet a party guest, an African American artist.

Explain how the musician from "Arrangement in Black and White" relates to the African American artist?

In "The Negro Artist and the Racial Mountain," Hughes talks about the importance of identity and ethnicity in art. He says that a real artist cannot be who he is in a different way than he is. This is especially true in the United States, where your racial background determines every aspect of your identity, what opportunities you have to meet, and how people treat you.

This is reflected in the "Arrangement in Black and White" In this story, we see an African American artist honored by a white woman. A woman finds herself comfortable and welcoming to others. However, he cannot look beyond his bias and bias, despite his claim to be modern and understanding. This supports Hughes' view that the artist cannot be an independent artist without his race.

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